Las óleos de todo Antonio Mancini
ID Image  Painting (From A to Z)       Details 
86179  
Antonio Mancini, Il Malatino
  		 Il Malatino   c. 1878(1878) Medium Oil on canvas Dimensions 51.5 x 38 cm (20.3 x 15 in) cyf
86180  
Antonio Mancini, Lo Studio
  		 Lo Studio   1875(1875) Medium Oil on canvas Dimensions 51.5 x 66 cm (20.3 x 26 in) cyf
86178  
Antonio Mancini, Ritratto di Otto Messinger
  		 Ritratto di Otto Messinger   1909(1909) Medium Oil on canvas Dimensions 232.5 x 140.5 cm (91.5 x 55.3 in) cyf
86327  
Antonio Mancini, Self portrait
  		 Self portrait   oil on canvas 60 x 72 cm cyf
96898  
Antonio Mancini, Self portrait
  		 Self portrait   oil on canvas 60 x 72 cm cyf
81354  
Antonio Mancini, Self-portrait
  		 Self-portrait   oil on canvas 60 x 70 cm Date 1910 cjr
96900  
Antonio Mancini, Spring blossom
  		 Spring blossom   1905(1905) Medium oil on canvas Dimensions 54.3 X 73 cm cyf
96899  
Antonio Mancini, The outskirts of Nice
  		 The outskirts of Nice   1909(1909) Medium oil on canvas Dimensions 54.2 X 73.8 cm cyf
11822  
Antonio Mancini, The Poor Schoolboy
  		 The Poor Schoolboy   Salon of 1876 4' 3 1/4'' x 3' 2 1/4''(130 x 97 cm)Gift of Charles Lanles Landelle,1906
96901  
Antonio Mancini, Wisteria in bloom
  		 Wisteria in bloom   1898(1898) Medium oil on canvas Dimensions 21.5 X 16 cm cyf
Antonio Mancini
(14 November 1852 - 28 December 1930) was an Italian painter. Mancini was born in Rome and showed precocious ability as an artist. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi (1818-1899), a landscape painter. Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon. Mancini worked at the forefront of Verismo movement, an indigenous Italian response to 19th-century Realist aesthetics. His usual subjects included children of the poor, juvenile circus performers, and musicians he observed in the streets of Naples. His portrait of a young acrobat in "Saltimbanco" (1877-78) exquisitely captures the fragility of the boy whose impoverished childhood is spent entertaining pedestrian crowds. While in Paris in the 1870s, Mancini met Impressionists Edgar Degas and Édouard Manet. He became friends with John Singer Sargent, who famously pronounced him to be the greatest living painter. His mature works show a brightened palette with a striking impasto technique on canvas and a bold command of pastels on paper. In 1881, Mancini suffered a disabling mental illness. He settled in Rome in 1883 for twenty years, then moved to Frascati where he lived until 1918. During this period of Mancini's life, he was often destitute and relied on the help of friends and art buyers to survive. After the First World War, his living situation stabilized and he achieved a new level of serenity in his work. Mancini died in Rome in 1930 and buried in the Basilica Santi Bonifacio e Alessio on the Aventine Hill. His painting,The Poor Schoolboy, exhibited in the Salon of 1876, is in the Musee d'Orsay in Paris. Its realist subject matter and dark palette are typical of his early work. Paintings by Mancini also may be seen in major Italian museum collections, including Galleria Nazionale d'Arte Moderna e Contemporanea in Rome, and Museo Civico-Galleria d'Arte Moderna in Turin. The Philadelphia Art Museum holds fifteen oil paintings and three pastels by Mancini that were a gift of New York art dealer Vance N. Jordan.



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